Love, Fear, Betrayal: Swan Lake Returns To Kuala Lumpur

Oksana Bondareva explains why you need to check out the one-night-only performance on 11 Oct, after last year’s sold-out Southeast Asia tour.

There is something otherworldly about Swan Lake. Its familiarity—through music, film, and pop culture references—is universally recognised and endlessly reimagined. But beyond the feathers and fairy tale lies the extraordinary complexity it demands of dancers. As someone who once lived in pointe shoes, it’s not only a work of beauty but also a test of mastery, musicality, and, above all, the ability to portray two opposing roles within a single performance. Familiar though it may be, there is always more than meets the eye.

Meet Oksana Bondareva, who will be coming to Kuala Lumpur on 11 October 2025 for a one-night-only performance as Odette (the White Swan) and Odile (the Black Swan) at the KLCC Plenary Hall. When asked what makes this rendition unforgettable, Bondareva insists no two productions are ever alike. “Every Swan Lake feels like a rebirth. The music of Tchaikovsky and Petipa’s choreography are timeless, but what makes each performance unique is the heart we put into it,” she says. This time, she adds, it is about “going deeper into the emotions and inner lives of the characters, making the story feel alive and personal for the audience”.

Presented by Crescendo Asia, this year’s performance of Swan Lake will see Bondareva performing alongside the Saint Petersburg National Ballet Theatre and former Mariinsky soloists. The production, she asserts, is as much about emotion as it is about technique. “Of course, notice the technique, the fouettés, the soaring jumps, and the elegance of the arms and hands. Look at the beauty of the costumes, lights, and set,” she says. “But, above all, watch the emotions in the dancers’ eyes and movements. Swan Lake is not only about steps; it’s about love, fear, and betrayal. That’s the true magic.”

Perhaps this sensitivity is also what fuels her interpretation of Odette and Odile. “Odette and Odile are two worlds in one body. Odette is delicate, filled with hope and vulnerability, while Odile is bold, powerful, and dangerously seductive,” she explains. A true trial of artistry, the challenge lies in the metamorphosis itself—shifting so seamlessly between two distinct beings without breaking the spell. Mastering such extremes requires discipline: “I train every day to keep my strength, stamina, and technique, but I also immerse myself in the music and the narrative,” Bondareva states. “This is so I can embody the emotions before stepping on stage.”

Reaching the pinnacle of any craft is no easy feat, and Bondareva’s career—spanning ovations from Europe to the Americas—has been built on years of sacrifice. “I began my journey very young, and it has taken years of discipline, sacrifice, and perseverance. But my love for ballet has carried me through every challenge,” she admits. Today, her joy extends beyond performance. “The greatest joy is not only the privilege of dancing for audiences around the world, but also the chance to inspire and teach. Passing on knowledge to the next generation of dancers, just as my teachers did for me, is the most meaningful reward.”

Bondareva is also quick to remind us that ballerinas are more than ethereal figures we see on stage. “Many people forget that we are human beyond the stage. When I was younger, I loved writing and photography, and those passions are still with me. Ballet eventually became my true destiny, but outside the discipline and intensity, we are also playful and full of life. We dance not only for perfection, but also for joy,” she enthuses.


For those who missed out on last year’s curtain call, don’t let this year’s slip away. Tickets are available here, with showtimes at 3pm and 8pm. Follow @crescendoasia on Instagram for behind-the-scenes glimpses and the latest updates.   

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