In luxury, high craftsmanship finds many vessels of expression—sometimes in the power of acceleration, sometimes in the permanence of ink. From honouring Enzo Ferrari to reimagining Ferrari’s Daytona SP3, there is nothing quite like the continued partnership between Montblanc and Ferrari. After opening 2025 with the revival of the Great Characters Enzo Ferrari edition in the signature Giallo Modena colourway, the partnership now turns a new page with the Meisterstück Great Masters Ferrari Tailor Made Classica Special Edition (the first release in a trilogy).

Inspired by Ferrari’s Tailor Made programme, the three-part Meisterstück Great Masters collection draws upon three design worlds—Classica, Inedita, and Scuderia—that reflect the many facets of Ferrari’s design ethos. This first release is an homage to Ferrari’s 1950s and 1960s GT sports cars, a period widely regarded as the brand’s golden age of design, with vintage paint colours, supple leathers, chrome accents, and contrast stitching. These design codes are rekindled in the Meisterstück fountain writing instrument, allowing collectors to engage directly with its storied past.

Each detail whispers of history and virtuosity. The barrel, fashioned from mahogany with a black lacquer inlay, recalls the tactile steering wheels of Ferrari’s mid-century GT sports cars, while platinum-coated fittings evoke polished chrome. A cross-hatched pattern on the forepart, cone, and cap top references the intricate texture of GT wheel spokes. The Prancing Horse appears discreetly on the barrel, while the Montblanc emblem in Modena yellow crowns the cap. Completing the piece is a handcrafted Au 750 solid gold, rhodium-coated nib, embossed with the Montblanc emblem set against a cross-hatched circle. Together, these elements symbolise the creative union of both brands.
Now available in fountain pen and rollerball, the Meisterstück Great Masters Ferrari Tailor Made Classica Special Edition can be found online, at Montblanc boutiques worldwide, and at selected Ferrari boutiques.


